11 years

11 years, 2013, video installation, endless loop
"The Tunnel", Solo Exhibition, Tophane-i Amire Kültür Sanat Merkezi Sarnıç Galeriler, Istanbul-Turkey
13 seconds
13 seconds, 2013, video installation, 13''
"The Tunnel", Solo Exhibition, Tophane-i Amire Kültür Sanat Merkezi Sarnıç Galeriler, Istanbul-Turkey
I had to give him the keys back...
Leaving Florence.
Learning from Maghreb. How to get rid of unwanted presidents
Constructing a slum at the entrance of Museo Marino Marini with Thomas Kilpper.
All the Mornings
Hotel Afrika

Rotte Metropolitane, Tools for Revolution or just for Sale, Villa Romana, Florence -Italy
Jarbel, Cheikh, Ndaraw, Materassi, Sar, Papà, Thiaw Modou, Tallà and Sillah Sehr are Senegalese people without permissions of stay in Italy, who are trying to earn €200-300 a month to send home...
I've hid their photos in the gallery building with the little information they gave me about their lives.
Nobody saw them.
Hikmet, "il turco"
Networking Toscana 2007 “Gecekondu – artistic practices in conflict places”, Florence – Italy;
Networking Toscana 2007 “Integration and Conflict”, workshop and exhibitionwith The Yes Men, Florence – Italy
Hikmet is a Turk that I have found in Italy, who lives on the street.
He talks to me while he is lying on the street…
He had 3 shops.
Carpet shops.
Italy owes him.
Italy has to pay.
He has many friends around.
He can protect me.
He’s from Cappadocia.
He misses.
He’s weak now.
He wants to return strong.
Hikmet was found dead one week after this film was shot, very close to the place I live…
appraisal to insanity
hard on
hard on:
1- (kaba argo) penis sertleşmesi
2- dikilme
3- kalkma
to be hard on somebody: birine acımasızca davranmak
to ride hard on something: bir şeyi kontrol etmek
lucertole / kertenkele

“lucertole” / “ kertenkele”, 2007, video-meeting and photos
Networking Toscana 2007 “Integration and Conflict”, workshop and exhibition with Mario Rizzi, Prato - İtalya
Three young women, one Turkish and two Italian, start talking as they push the record buttons of three different cameras.
The work takes its name from a kind of lizard which can reproduce on its own by changing sex.
the visit, 03.05.2004

Bilgi’de Sinema – Avrupa Üniversiteleri Sanatsal Video Film Sergisi, İstanbul;
Braunschweig Technische Universität Elementares Formen, Braunschweig, Almanya;
Braunschweig Hochschule für Bildende Künste, Braunschweig, Almanya;
Burg Giebichenstein – Hochschule für Kunst und Design Halle, Almanya;
University of Ulster Faculty of Fine Arts, Belfast, İrlanda
I am shooting and watching myself secretly almost like with a hidden camera.
I secretly document an “un-communication”, an alone speech.
Very personal, a bit embarassing…
An unheard dirge, a shrive…
Completely deaf.
(The work is exhibited in a secret corner of the gallery, with the smallest screen possible.)
accompaniment

Bilgi’de Sinema – Avrupa Üniversiteleri Sanatsal Video Film Sergisi, İstanbul;
Braunschweig Technische Universität Elementares Formen, Braunschweig, Almanya;
Braunschweig Hochschule für Bildende Künste, Braunschweig, Almanya;
Burg Giebichenstein – Hochschule für Kunst und Design Halle, Almanya;
University of Ulster Faculty of Fine Arts, Belfast, İrlanda
In contrast to other videos, nothing changes here.
Neither the images, nor the sounds…
It’s only a serum bottle in a fixed shot, its shadow in the dim light, and the air bubbles inside…
As a sign of life…
As a sign that the liquid still goes to through the vein.
As a sign that the owner of the vein is still alive.
An insomniac, hopeless, meaningless, empty waiting…
(The place where the video is exhibited is regularly cleaned with a special antiseptic substance so that it reminds a hospital smell)
220 days
I solved a puzzle when he died
the visit, 16.11.2003

The last piece of three videos which seem to create a whole…
The meditative and melancholic mood which started with “Cipram 20mg” (2002); moved to “Mourning”(2003) with the feelings of death, loneliness and especially longing.
In both of these videos, the images seem to repeat themselves, and the work needs a specific attention as a whole. There is a stable shot, a stable color in both of them.
Just like a moving photograph…
“Cipram 20mg” is grey; “Mourning”is red…
There is a fairy tale that has to be listened in “Cipram”; and a letter that has to be read in “Mourning”…
“The Visit”, as a continuation of these two videos, is again about the ‘loss’ and the ‘death’…
This time the color is white …
Again, a stable shot and a movement on its own…
And in this movement, photos which have to be seen…
The photos of the one I have lost… The photos of my father…
mourning

"The Sphinx Will Devour You" Exhibition, Karsi Art Works, 2003
i have written a letter to him.
i couldn’t guess where and how he shall be listening.
so I created a world for him.
here are my words that you read among the red bubles:
where are you
is it dark
is it cold
is it that
silent
were you afraid
while going…
have you heard
me
have you felt
where are you
do you see
do you watch
always
do you love
still…
cipram 20mg

Borusan Culture and Art Center, "New Suggestions/New Propositions 9" Exhibition, Istanbul;
Diyarbakir Art Center “In Image We Trust 2”, Diyarbakır-Turkey
It is made of pieces that are deliberately left blurred or hidden. And only a very attentive watcher can notice these little but important details.
Above all, Cipram[*], is the name of an antidepressant medicine... But this, is going to remain meaningless for the ones who don’t know or use these pills.
To document an insistant cycle...
The image was shot when I literally had my stress balls in my hands, when somebody was literally reading my future, and when I was literally sitting near a patient. The work has created itself...
I only wanted the image to be in black&white, so that it would be as plain as it could.
To be able to prevent all the throng...
While mounting, I deliberately wanted the movements to be slow and soft.
I wanted only the ones who really pay attention to be able to see, that there is somebody who passes through under my thumb, whom I love, caress and touch...
I wanted the spectator to be forced to find the details...
It is the same with the sounds and words...
With the eternal and continuous cycle of the balls, the words also create a cycle, a repetition, again understood only with careful attention.
I wanted the story to break into pieces, to be repeated, to create an eternal and meaningless fairy tale; instead of following a logical order... A fairy which is too utopic and surrealist for the present stress...
This work is completely an expression of personal depression. But I believe that leaving the personal aspects to the interest and attention of the spectator, makes the image become a ‘document of stress’ for everyone who sees it. Also maybe by reflecting some of this stress to the viewer...
[*] LUNDBECK Medicine Ltd. Comp.
"...Cemile Kaptan'ın Cipram 20 mg başlıklı video çalışması, yine kişisel boyutuyla dikkat çeken bir iş; oldukça resimsel bir etki uyandıran bu videonun işe adını veren antidepresan türü ilaçlar gibi sakinleştirici, neredeyse meditatif bir etkisi var - aynı süreçte belli belirsiz duyduğumuz sözcükler de anlamını yitiriyor (bir kahve falının uçup giden sözleri bunlar), izleyici, şimdi ile gelecek arasında, gerçek ile olasılıklar arasında sonsuz bir döngüyü izliyor..." Ahu Antmen, 2003
BOM

It walks on the streets, looking for an adress.
It finds the adress, rings the bell, enters,
spends an ordinary day and explodes.
BOM: Is a formatted end to the formatted lives.
BOM: Is the end of our sublime being.
BOM: Is the end point of the civil life.
BOM: Is the reference to the silent and unknown traffic of the death.
BOM: Is the appraisal of the real God.
BOM: Is the materialized destiny.
beloved

Diyarbakır Art Center “In Image We Trust 2”, Diyarbakir